This month: Garden ramblings and don’t cheat your readers!
I am not a gardener – not by any stretch of the imagination. But I have three good friends who are extremely keen gardeners. When they visit, I can just hear the intake of breath when they spot something in my garden that shouldn’t be there. I probably already know that. But, and it’s a big BUT, I prefer writing to weeding. Don’t you?
Even with my lack of gardening expertise, I know that this is the time of year to get gardens into order before the spring. I shall leave the garden to nature, and my friends, and instead turn my attention to this time of the year when it’s a good idea to get your writing in order!
Stage 1: Weeding
It’s a great time to have a good old-fashioned clear-out.

How many of your books are you really going to read again? No? Then give them away. I tend to keep non-fiction books, particularly those about writing, but novels I give to family, friends and charities.
Tidy your writing area, whether it’s a desk and filing cabinets or just a space on the kitchen table.
Look through writing files/folders/paper collections and discard what’s not needed.
Take time for self-analysis: be honest – how does your writing need improving? Could you benefit from feedback from a writing buddy or group? do you need to improve your punctuation? – get a book or look online.

Stage 2: Planting
Look ahead six months. Consider a writing holiday. Change direction and try a different genre. Set some goals (yes, they’re like New Year Resolutions)
Stage 3: Nurturing
Keeping a regular routine will keep your writing on track: same time each day perhaps, or a thousand words in a week. You choose – and then stick to it.
My belief is that all writers need feedback. Choose your writing friends carefully or take a chance and get a professional critique.
Enter a few competitions. Don’t over commit. One a month may be too much to start with. But one every three months is a reasonable target.
Good luck with the gardening!
Don’t cheat your readers
A good writing friend and I recently had a conversation about one aspect of published novels that we really dislike – the Deus Ex Machina ending.
I’m sure you’ve come across it:
The murderer turns out to be a character who’s only been introduced in the last quarter of the book.
The hero saves the day with a skill (or a weapon) that has not been mentioned before.
The police turn up just at the right moment

Deus Ex Machina means God out of a machine, a phrase which goes back to Ancient Greek drama. The playwrights of the time would get their characters in an awful situation, from which there was no escape. Then, a god would appear from the sky and sort everything out – as the ancient Greek gods did.
As you can see from the picture here, the Greeks had a crane behind the scenery which held the actor playing god, who would be popped over the backdrop and lowered into the scene just when required!
It’s cheating your readers.
As readers, you know it takes a while to read a novel and, if it’s well-written, you can really get engrossed in the story, particularly if the characters are realistic, have a purpose and then some setbacks. You want to know what happens to them.
But when the answer turns up, quite unexpectedly and near the end, you may be forgiven for thinking you’ve wasted your time or, rather, that the author has wasted your time.
Personally, I think it’s a lack of creativity, lazy writing with no forethought or planning – just an easy way to solve everything and end the story. The Greeks were used to it as gods played a huge part in every area of their lives. But I don’t think it has a place in stories of the 21st century.
If you find yourself edging towards a miraculous ending, go back and see if you can introduce the murderer/skill/police earlier so that it’s not such a surprise when they appear.
I asked AI for some examples of Deus Ex Machina:
- The Greek god Apollo resolves all the mess at the end of Orestes by Euripides.
- In William Golding’s Lord of the Flies, just as the boys are about to commit murder, a naval officer appears and ends the chaos.
- Even Charles Dickens was not immune: in Oliver Twist, long-lost relatives and surprise revelations conveniently rescue Oliver at the end.
- And in Jurassic Park, the T-Rex suddenly appears to kill the raptors and save the humans in the final scene.
AI added another example which actually works! In Monty Python and the Holy Grail, the plot is ended by modern police arresting everyone – a deliberate joke about Deus Ex Machina.
So, unless you are writing a Monty Python-type story, please be true to your readers and no surprise, fortuitous endings.
And if you needed any more exhortations about Deus Ex Machina:
Robert McKee, author, lecturer and story consultant, says:
“Deus ex machina not only erases all meaning and emotion it’s an insult to the audience. Each of us knows we must choose and act, for better or worse, to determine the meaning of our lives … Deus ex machina is an insult because it is a lie.”
And British author Charles Stross:
“Personally, I avoid Deus ex machina like the plague – if you have to use one, it means you failed to set up the universe and the plot properly. It’s like a whodunnit where there’s no actual way for the reader to identify the perpetrator before the climactic reveal: there’s no sense of closure for the reader.”
Happy Writing
Linda















