October blog

Setting targets is one of my themes this month: in the blog below and NaNoWriMo on the Articles about Writing page. There are plenty of prompts to get you going, plus competitions and an interesting website in Tips to help your editing.

You can read about my Irish writing retreat below and about fellow writer Claudia’s experiences of retreats in Iceland and The Clockhouse in Shropshire.

Taking stock, targets and retreats

New Year and Spring tend to be the times of the year when we make resolutions and have a jolly good clean-up and clear-out. But in the past few weeks, I’ve been talking to a surprising number of people who tell me that autumn is the time when they take a look at their house, their hobbies, their lifestyle, their finances. 
        Perhaps it’s the effect of having had a holiday; perhaps it’s the change in the weather – summer clothes packed away, winter clothes to the fore; or perhaps it’s the evening classes being advertised at local adult education centres.
        Whatever the reason, it certainly doesn’t hurt to review different areas of our lives from time to time – and writing is one of those.
        In one of my classes, we reviewed our New Year objectives just before the summer break and set ourselves mini targets for the next two months, like entering a writing competition. When we resume this month, we’re going to decide what the group wants to do in the next three to six months: perhaps produce another anthology of short stories and poems. For a group, this keeps everyone interested and, usually, makes sure everyone submits their contributions on time 🙂
        On a personal level, I’ve found that writers definitely fall into two camps: those who set targets and those who don’t. I’m definitely in the former but I’m more than ready to admit it’s probably because I used to be a radio journalist with deadlines every hour that just couldn’t be missed!
        Of course if you’ve been commissioned, for an article or a book, then your editor will be the one setting the deadlines. On your own, with no such target set in stone, it is much harder.th-2
        I TRY to write 500 words every day, 1000 a day on holiday. Sometimes I do, sometimes I don’t. But I find regular writing, even when it’s hard to get going, really does help me. And yes, I do keep a chart, ticking off successful writing days: a whole column of ticks can be great motivation for carrying on. 
        If you are keen on writing every day, then NaNoWriMo is coming up next month. Don’t know what that is? I explain all in this month’s Writing Article.

thumb_p1010483_1024My writing retreat to Ireland was excellent. I got as much writing done as I expected. I think I originally set myself too high a target (2000 words a day!). But Ireland, and the Kingdom of Kerry in particular, is just too beautiful not to spend a large part of every day walking! So a thousand words a day, sometimes more, was much more realistic. So I enjoyed the scenery, the food, the friendliness of the Irish and Americans, and I got on well with the next few chapters of my novel.

Last month I mentioned a writing friend who was trying out Arvon’s new writing retreat – The Clockhouse in Shropshire. She thoroughly enjoyed the experience. Here’s the link to her blog.

Happy Writing!

September blog – new competition posted!

This month’s theme is SETTING. Where do you find it’s easiest for you to write? That’s the topic of my blog below. This month’s writing article is all about the importance of getting SETTING right in your stories; there are five prompts to develop that topic and have a look in the Hints and Tips too. 


Where do you write?

Many writers have their favourite place for writing and perhaps a favourite time too. But we just have to make sure that it’s not an excuse when we just can’t seem to get down to it if we’re not in that right place at the right time! I have a perfectly lovely office at home with everything I need at hand. But, and I’m sure I’m not alone, so often I get distracted by domestic issues: I really ought to put that laundry on, must go to the shops, I’ve started decorating the lounge so I really should finish it …… and on, and on.

            I have a large picture window in my office – fatal! If I’m not looking longingly at the sunshine, then I’m thinking that flower-bed needs weeding, the lawn needs mowing and I frequently get up to shout at the squirrels and ducks (yes!) that are eating my plants.

            So it’s probably no wonder that WRITING RETREATS are increasing in popularity and there are a whole variety on offer, from one-day sessions to weekends, weeks and longer. They vary considerably – some offering part of a room in which to write alongside others, to those that provide the full package with a room of your own, three meals a day, unlimited tea and coffee and the option of sharing your work with others at the evening get-togethers. Libraries, universities, offices, country houses, hotels at home and abroad – the settings are unlimited. You have just got to find what suits you.

George Bernard Shaw’s writing shed

            Many famous writers are known for their own particular writing haunts: Sir Walter Scott composed on horseback; John Le Carre wrote his first novel when commuting by train from Buckinghamshire to London; DH Lawrence wrote outdoors, leaning against a tree, any tree; George Bernard Shaw had a revolving writing shed built in the grounds of his house; Maya Angelou hired a room at a hotel; Gertrude Stein wrote in her car – a Model T Ford; James Joyce wrote in bed; J K Rowling in a café.

            Later this month I’m off to my favourite place of all – southern Ireland – for my own, personal annual writing retreat. I do meet people, I am sociable, I go sight-seeing but I go specifically to WRITE. And, like Gertrude Stein, I tend to write in my car. I drive to one of my favourite places – I have a list of them all within ten miles of where I am staying. If the weather’s good, I go for a walk, come back, get a chair out of the car and sit and write. If the weather’s not so fair, then I write in the car with a beautiful view in front of me.

One of my secret writing places in County Kerry, Ireland

            Once or twice I have been disturbed. This was my view one day and the writing was going really well. Then a coachload of Americans turned up and for half-an-hour I had to answer why was I on my own, what exactly was I writing and was I famous? Another time, I was besieged by a group of geologists who had come to study the cliffs. I moved so they could get a better view and when they’d gone, I just had to go and look for fossils myself!

            I’m hoping to hear soon from a writing friend who is currently on one of Arvon’s writing retreats. This organisation has run tutored retreats for some time but this year they opened The Clockhouse in Shropshire: four self-contained apartments specifically for writers on retreat. I’ve had one email from my friend: “Loving my retreat”. I’ll let you know her full story, and mine, later this month.

Happy Writing.




An evening with Philippa Gregory

Philippa-Gregory pic

“I’ve been with Henry the Eighth longer than any of his wives.”

       Just one of the light-hearted moments during Philippa Gregory’s entertaining, educational and most enjoyable talk in Chorleywood this month. And yes, she worked her magic again because I came home determined to carry on writing, after a bit of a blip, wondering where I was going and was it all worth it. But Philippa convinced me that writing historical fiction is what I want to do.

       So much of what she said resonated with me. She said that wherever she goes, she always wants to know more about the place, its history, the people who lived there. Tick, definitely me.

       As a historical novelist, she said she spends six months researching her character and only when she hears that character’s voice, does she start writing. And it’s the historical details that make it so fascinating, making the reader feel as though they are there.

Extraordinary difference       

       She writes in the first person and present tense, saying that is now HER domaine! Tick, that’s me. I switched from third person past after reading three of her books one summer. As she explained, it narrows her gaze to the here and now and prevents her from knowing what’s going to happen in the future. She said it makes an extraordinary difference to her writing. Hopefully, mine too.

She’s incredibly passionate about her characters and she became quite agitated when quoting some of the source material on Margaret, Queen of Scotland. History hasn’t been kind to this lady but her corner is now being fought by Philippa Gregory.

Some of Philippa’s writing tips:

  • Write a novel that has a coherent drive – a really good story
  • As a historical novelist, you can pluck from history what’s of interest to you and the inner world of a character is made up
  • Court records are now available online
  • You must take your characters immensely seriously
  • It’s only after the first draft that I discover what the novel is about
  • Writing novels is a technical process as well as a creative one
  • If my main character needs to know about something, such as alchemy, then I need to know it too.

            I won’t give too much away about her talk because I thoroughly recommend any writer going to see her. She’s a lively, funny, enthusiastic speaker, accompanied by a professional slide and video show. She neatly deflected the cries of a baby (Don’t go! I’m a new, besotted grandmother!) and happily signs hundreds of books at the end of the evening.

            Well done to Chorleywood Bookshop for putting on another enjoyable author evening. Here’s the link to their website for details of more such evenings. Look at the Competitions page for the Chorleywood festival short story competition and at the Books page for details of Philippa Gregory’s new novel.

            So, for me, back to researching and writing. And you too, I hope.

Happy Writing!



August blog

New month, new summer colour.

This month my writing article focuses on point of view – get it right and your writing will be so much easier to read. There are seven new writing prompts, two competitions for you to enter and a book recommendation. Hints and tips to come.

Getting started

During the past month, I have met three people who claim to be “non-writers” but who each have what they think is a good idea for a book. One thought a ghost writer might be the way forward, others were just “going to have a go”.

              I suggested to all three that they don’t know whether they are writers or not until they actually start writing. It may well be that they haven’t written anything since school essays. But that doesn’t mean you cannot write. Just as with starting any new activity – sport, hobby, craft – you have to have a go to see if you enjoy doing it and then you can learn how to do it. There is plenty of help for writers out there: on the Internet, books, classes, groups, workshops and this website 🙂

            I really loved all three of the ideas explained to me: one was family memoir, another a children’s story and another a short story. Here’s what I would advise to all three and to any others who are just starting out.

  • Decide who you are writing for.
    Family memoirs are for your family – a great way to pass on family anecdotes, incidents and characters so they don’t get lost. It is so easy now to have your book professionally published for as little or as much as you want to spend. You can have one printed or a dozen for presents.
    A children’s story can again be just for family and friends or you can enter it into competitions or you can try finding an agent. Just start slowly and have an audience in mind as you write it.
    Short stories can be for family and friends, for a writing group or for competitions.
  • Don’t just pile into writing. Make notes about your characters, how the story starts and ends, and what problems your characters are going to face on their way. For non-fiction, write down what information you have about your main characters, what incidents you want to include, a timeline and what research you will have to do to fill in any gaps.
  • Decide whose story you are going to tell ie which point of view you are going to use. This month’s writing article covers this.
  • Don’t worry about a title at this stage – it may well come as you are writing.

Try to write or research on a regular basis. I don’t mean a thousand words a day! I mean ten minutes a day or an hour a week, finding a time and a space when you know you can concentrate on your project. A few minutes a day is better than half an hour once every one or two months.
I’d love to hear how you are getting on so please do email me (from the contacts page) and I’d also love to hear from writers who have any other tips and suggestions for those who are just starting out.

Happy writing!


July Blog


July 2016: New month, new colour!
More prompts, how to start your story, three writing competitions and another grammatical tip.

  • Thank you to those who have written in with comments. As a result of K’s suggestion, I’m changing the colour of the headlines from blue because they were being mistaken for links. So words highlighted in blue WILL be links.

  • If you’d like to be notified every time there’s a new post here, please click the Follow button on this page. And you can email me through the Contact page.


Meeting Expectations

Writing Historical Fiction
a one-day course from the Writers’ and Artists’ organisation held at the offices of Bloombury Publishing in London

Taking time out to spend with fellow writers, authors, agents and books – that’s the sort of break I really enjoy. And this one-day course was educational, enlightening and enjoyable.
          I commented last month that you are just as likely to pick up words of wisdom from fellow-writers at events such as this and that’s what happened within five minutes of my arrival. I learned of a small publishing house that I could send my mss to and I was told that Iran is a wonderful holiday destination! The sequel to my novel is set in ancient Iran but I had never really considered taking a holiday/research trip there. Now, thanks to Roger, I shall certainly investigate. All that over coffee before the day actually began.
    FullSizeRender      The 30+ attendees were divided into groups according to their historical eras. The medieval and contemporary modern had the most, we in Ancient History numbered just three. And that meant we were given individual attention by Anthony Riches, authoFullSizeRender-1r of the Empire series set in Roman times. He was first published in 2008 and is currently on number 9 in a series of 25! He really brought home to me the commitment of a writer: sometimes he can write up to 5,000 words in a day, his books taking between 3 and 7 months. He had a lot of anecdotes, advice, tips, insider stories and experiences to pass on to us, interspersed with three writing exercises that certainly made me consider my writing with new eyes. We looked in particular at beginnings of novels – your one chance to make an impression; dialogue – the most important skill throughout a book; and setting – you tell the reader what they can see, the characters tell the story. His main piece of advice: be persistent.
          The afternoon began with a talk from best-selling author Suzannah Dunn and her agent Anthony Topping.  Suzannah is a very animated, fluent and entertaining speaker who spoke of how she goes about her writing, what does and doesn’t work in historical fiction and how much detail should be included.   
          Because I’m at that stage of sending my mss out to agents, I was interested to hear Anthony Topping and then Heather Holden-Brown, head of her own literary agency. They both spoke about how you should go about approaching agents, what they want and don’t want in a submission and then, the vexing question of how long you should wait for a reply! Heather also spoke about the pros and cons of self-publishing, something I hadn’t expected. She said there’s no shame or embarrassment about it now, that editors do look at e-books and that it’s a worthwhile way to go even though the author has to do all the work.
          I came away from the buzz of the end-of-day drinks party with renewed motivation and a plan: to re-read and perhaps re-write my opening page to make as much impact as I can, to target more agents and to keep writing my sequel. A good day out but now it’s back to real life!

Happy Writing!


My Blog


If this is your first visit, a very warm welcome to you. This website will be offering writing prompts and exercises, articles on different aspects of writing, links to competitions and other websites, book recommendations and feature articles.


This month I’m addressing writing courses – and what to expect from them.

In a couple of weeks’ time I shall be attending a one-day workshop in London on writing historical fiction, being run by a leading international publisher. I’ve been on half-day, weekend and week-long writing courses before, run by colleges or individuals, so this is new territory for me and I’m not too sure what to expect. It’s not the most expensive but it’s certainly not a cheap day, lunch not included!

I’m definitely hoping to learn something – quite a lot, in fact – that I didn’t know before. This might come from the morning workshop, from the guest speaker or from the panel Q and A session. But just as easily, new insights, knowledge and writing wisdom could come from talking to other participants as well as the guest speakers and organisers.

I was asked to nominate the author whose workshop I would like to attend in the morning. The choice was between ancient, medieval and contemporary historical authors. My genre is definitely ancient – my novel is set in 63AD. The author on this

one-day course specialises in military Roman history. So although that’s definitely not my area, I’m hoping he’ll be able to give me some hints and tips on

(a) incorporating research,

(b) how to make my characters’ dialogue sound authentic and

(c) how to establish ancient attitudes and customs that today come across as barbaric and uncivilised.

I can honestly say that I have learned something from every course I have been on. I still use an excellent zig-zag technique for plotting all my stories that was taught on a residential course where most of the participants, me included, went down with food-poisoning! We all had to take a turn at cooking the evening meal. No more to be said!

On a similar course, the opening scene of a different novel was, very kindly, torn to shreds. But the author took time to explain all her comments and I later re-wrote it, understanding every last point she had made.

So, two things to bear in mind:

(1) If you sign up for a course offering individual feedback, whether from agents, editors, guest authors or fellow scribes, be prepared to receive it. Don’t argue. Take notes. Then make up your mind later, when the dust and your heart-beat have settled.

(2) Have a realistic idea of what you want to get out of the course. You are not going to be delivered an agent on a plate (although that image definitely has possibilities….), nor are you going to be given W. Somerset Maugham’s apocryphal Three Rules of Writing.

But if you are anything like me, any time away from “life”, just talking about writing with those who have succeeded and those who are on their way, will be sociable, enjoyable and motivating. You will, I am sure, also learn something.

I shall report back next month as to how realistic my expectations were.

Happy Writing!